Back Home Again In IndianaHenley/McDonald; Arranged by Chet AtkinsTranscribed from Bear Family Collection "Gallopin' Guitar"; TablEdited by michaeljoyce@hotmail.comQe(jhjIjhjjhjhjjhF@FF @0F1F 1F1F 2a 2j03a 3j044 5a55j>ID J `JI J KLM`{ aF aFe@xfyfyfyf@zF{F{F{f|}f @f f f F@FFf{@lnЩnn@f nȪnnnnn@FnnnFF@f x@FFf@FقF`ۜ@@FfFF @b C F @  f F @  f  F C f !c!f!"f@"f"f0"0#f@#f%@%%%8f0809f0@909090@:0:0=P@PFPFPF@QfQfQfRSTFTFU@UFU U hFhF ifiF @jF k l@mR@m@@&&&D@I` I @ &? &?& F@i8i8@i8i8@i8i888CC@IICC @&&F @F@i8i8@i8i8@i8i888CC@IIȽ F D `I@&&F͜ @ͽF@i8i8@i8i8@i8i888CC@IICD @FF@&&FF@i8i8@i8i8@i8i888CC@IICD@FF@&&FF@i8i8@i8i8@i8i888CC@ I I@@FF@&&FF@i8i8@i8i8@i8i888CC@"I"I )F `)I ) * *D @+&+&,F@--F-.@/i8/i8@0i80i8@1i81i828385F5F6C@:I:I@C@ACBF C@C&C&DFEFF @Gi8Gi8@Hi8Hi8@Ii8Ii8J8K8MCNC@RIRIY`YIY @ZIZF ZI @[&[[&]F]F]^ @_i8_i8@`i8`i8@ai8ai8c8c8eCeFeF@jIjI`pIp qFr @rFrF@s&s&tFu@uuFv@wi8wi8@xi8xi8@yi8yi8z8{8|C~C@IIFI@LP L` I?@& )? 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" "F @#&#&$F%@%%F%%@'i8'i8@(i8(i8@)i8)i8*8++8-C.C@2I2I8`8I88D 9F@:F:F@;&;&=F@=`==F>@?i8?i8@@i8@i8@Ai8Ai8B8C8DCEC@JIJIQf@QKPQK`QKRRKRKRKSSKSKSKTfU@UUV@Wi8Wi8@Xi8Xi8@Yi8Yi8Z8[8\F]F^C@bIbIhhI0hI0`iI0iI0i I0 jI0@jI0lI0n@oi8oi8@pi8pi8@qi8qi8r8s8tFuFuF@vF@zIzI I0 I0 C:l@0 @i8i8@i8i8@i8i8 8 8CFF@II 1 KD0HF0 I0 I0@i8i8@i8i8@i8i888CC@II 0 I0@F0I0I0I0I0@ i8 i8@ i8 i8@ i8 i8 8 8CC@II0 I0@ɆF0C0@ i8 i8@ i8 i8@ i8 i8 8 8CC@II@I0`I0+1+2+0)0I0 I0)0@ i8 i8@ i8 i8@ i8 i8 8 8CC@II )3 I3@)3`I0i3i0F0@ i8 i8@ i8 i8@ i8 i8 8 8CC@ I I)3 I0@&0)3I0F  @i8i8@i8i8@i8i8 8 8CC@"I"I*H +H @+H ,F ,F @/i8/i8@0i80 i8@1i81i82 83 84F4F5C@:I:IAI0BI0CI C I D @D F @Gi8Gi8@Hi8Hi8@I i8I i8J 8K8LCMC@RIRIX)0Yf0 Z$0ZI0ZL1ZL2@_i8_i8@`i8`i8@a i8a i8b 8c8dCdFeF@jIjI`q)0q 1qf0rI0@ri0ri0 sI0v @wi8wi8@xi8xi8@yi8yi8z 8{ 8}C~C@II$0` )0 3i03i0@i8i8@i8i8@i8i888FCF@III3 i3@f0 I3i3f0@ i8 i8@ i8 i8@ i8 i8 8 8CFF@II I3 i3@f0F  I0 i0@ i8 i8@ i8 i8@ i8 i8 8 8F@FFF@II I0` i0 i0@ i0 i0 I0 i0 i0@ i8 i8@ i8 i8@ i8 i8 8 8FFC@IIf0H0H0H0@ i8 i8@ i8 i8@ i8 i8 8 8F@FFF@II @ \@i8i8@i8i8@ i8 i8 8 8 C F F@II I3  F0` I0 0 F0 I0I3 F0`I>0F>I>@i8i8@ i8 i8@!i8!i8"8#8$C%C@*I*I1 0 2D 2 30 4D 4 6@7 i87 i8@8 i88 i8@9 i89 i8: 8; 8<C=C@BIBII F0I I3J@J I `J I J KF0KI3@LI `L I L @O i8O i8@P i8P i8@Q i8Q i8R 8S 8TCTFTF@ZIZIa C0a I0b b F cC0cI0dF f@gi8gi8@hixhi8@ii8ii8j8k8lCmC@rIrIy 0`y I0y D0yI0@z 1{0`{I0{D0{I0~@i8i8@ixi8@i8i888CFF@II@:\@:\@i8i8@i8i8@i8i888CC@IIF0 I0 @ i8 i8@ i8 i8@ i8 i8 8 8CC@IIF0@F0 F0‹F0 @i8i8@i8i8@i8i8 8 8CC@II i0 i0@ i0I0` i0ڈf0i0 @ixi8@i8i8@i8i888CC@II 0@F0 I0 I0 I0 I0@i8i8@i8i8@i8i888CC@II i0`i0 i4@ i4 f4 i4 i4 @i8i8@i8i8@i8i888FCF@II 0`! 0!f0"f0& @'i8'i8@(i8(i8@)i8)i8* 8+ 8,C-C@2I2I: f0:f0: i0: i0@; f0>@? i8? i8@@ i8@ i8@A i8A8A i8C 8DCEFFF@JIJIPkPkQkQkR 0RkRkSf0Sf0UUV VVWf8Wf8Wf8Xf8Xf8Xf8Yf8Yf8Yf8Z f8[8[f8]C]F]FbIbIbIh`i`j`k`mno`8p`8q`8s`8u@zI ^ Intro to be played freely.Slight LH VibratoKey Change to F.3This makes me want to go splash on some Old Spice.A7D7G7CC7FE7A minB7BbD minF#7F Maj7F6D dim7AbCIJhAbC/e/AbE7@@AAbAF@AbB7@AbC@@AbC6pCCCeCCC@@@BD# dim?@CAbG7yzz0{JkA7 BcBDIJhdBD7 @dCD7hJBcG7FgA70G{bD7eBcG7]AbE7-OAbA min(@4)AbB7@cG7/@/cAG7[]CdG982@<3BcF#7@E@@AbF Maj7]Back Home in Indiana is one of the tunes Chet would put in his greatest hits medley from time to time. This version is from the RCA LP "A Session With Chet Atkins" and features a number of musicians in an All-Star jam. This particular tune had leads by Chet, a fiddle, a steel guitar, and a piano. I just transcribed Chet's leads as he couldn't be heard on the other leads, except maybe for the first three measures of the fiddle lead. Chet starts in the key of C, and by the time he comes back in for the last (close out) lead, the tune had modulated to F. His closeout lead isn't very noteworthy other than the ending which, to me, is the highlight of the tune. I did my best to transcribe Chet and the bass part as accurately as possible. I wrote the rhythm guitar part in the style of this recording as it was very staccato and of such low amplitude, it resembled a snare drum or brushes on a cymbal rather than a guitar. Chet's first pass is vintage Chet, with lots of Dizzy Strings pull off's. The tune is not particularly difficult for folks proficient in playing thumblick guitar. Intro: Chet plays the Intro very rubato with lots of changes in tempo, just very freely. Measure 48: I created this measure from the end measure of the first pass and the opening measure to the last pass. The fingerings are of their particular measures. This was just the easiest way to combine the two passes without creating something that was not in the recording. Measure 49: I couldn't detect any use of a Bigsby vibrato in the tune. At the 3rd beat, there is a very slight vibrato that I believe was lefthand vibrato, rather than righthand mechanical. I've notated this effect in the TAB staff. Measure 66: Chet is starting a run in octaves. Note that he is playing them slightly arpeggiated, probably with his thumb and a finger. This is in opposition to the Django method of strumming through the octave. Measure 79 and 80: The ending: All the musicians participate in the ending. It is very difficult to pick out Chet, but I believe what I've put in this TEF is a fair representation of it. c0x %).38 %).38Chet Atkinstar c0 %).38 %).38Acoustic Guitar c 05:?DBassAtkinstar cb(0#!*"'/+48888Percussiontar 001001010000=007:>899<>7F000P044S0//8000000000001EE1/1101030::::H<100001040000000000008V0000000Page &p / &n&c&2&t &c&6&s &r&3&m &r&3&t - &3&s