Alborada (The Musical Box) Francisco Tarrega Tabbed by Tony Willis 2004 See the guidance notes+T e<@LpL ,@`L@IN..I i@`I0I0I0I0@F0 N F@ Lp L i0 , I0 I0@ ` L@  B@TIN..I i@`I0I0I0I0@F0 LFp Li0LI0 I0PLL@ @@T F F  I`II0 I0F0  I0`I0I0 L B! F`"FP"Lp"L" F" i"L#F&4@&F&I& .&.& .& .& .& .& .& .& .'I ' )''' )@()( (~j(0++F@,Lp,L, f, ,@-`-L- f4.~i@.18@1T1I1N1.1.2I 2i@2`2I02I02I03I0@3F03 6N7F@7Lp7L7i07 ,8I0 8I0@8`8L@9I0@>F0> ANBF@BLpB /xB Bi0B LCI0 CI0@DPDLGF`GLG& GF HI`HIHf0HIH I@I `IIpIL>LHMFM FMNF@NLPNL`NLpNLNI0NI0R20RNpRTR IRISLSL SL0SLSITF0 T@T `TI0TWBWW2W(W>XF@XLpXLXfX ,YF@Y`YL@Z]4@]T]F] .] .] .] .] .] .^F^F^)^ )@__ _~j_bbLc.c .c. c.(c.0c.@c.Hc.Pc.`c.hc.pc.c )d)@d)`d )dePeh Li&0`iLi&i L@jL j~im<mHnF `n InIn In io 6@o i0`o I0oI0o I0oi0 pI0@p0 sBs Fs .s .s .s .s .s .tFtFt)t )0u~j@uux(xJy.y .y. y.(y.0y.@y.Hy.Py.`y.hy.py.y )z)@z)`z )z{P{~Lf0`LfL ~i@lLOOOO O( O0 O8 O@)I&`I0I@ `I:0F@B .ȉ .Љ . . . .FF) )F0~j@ЋL@LpLFЏ ,F@`LF~i@,@TIN..I i@`I0I0I0I0@F0 NF@LpLi0К ,I0 I0@`L@F@TIN..I i@`I0I0I0I0@F0 LFp Li0ॉLI0 I0PLL@B@L F F I`II0 I0F0 I0`I0I0F< FFPLpL F iుLF(0D`<I .. . .ȵ .е . . . .I )ж )@) ~jз0H@LpL fл ,@`L f0~i@.@TIN..I i@`I0I0I0I0@F0¾ NF@ƍLpLi0 ,I0 I0@Ǿ`ǍL@F@TIN..I i@`I0I0I0I0@F0; LF@Lp Ox i0 LI0 I0@PLB@N F I`If0I I@ؾ `Ip(<F FܾF@LPL`LpLI0I0(@L IILL L0LIF0 @ `I0^B.(&FFT+Tuning D A D G B EaSECTIONS [A] [B] [C] It is suggested that the high notes in the "musical box" runs be played entirely with left hand ligados (hammers and pulls), while the right hand finger and thumb look after the harmonics. Personally, I find you get the right balance of volume if you play the first note of each triplet with your right hand little finger.ci0 #', %).38Banjo open Gc0 %).3: %).38Tempo Map001101110000=107:>899<>7F000P041S0//2000000000001EE0/1110010::::H<100000000000000000008V0000000Page &p / &n&c&2&t &c&6&s &r&3&m &r&3&t - &3&s