Banjo Backup and Inversions --- Bluegrass Style --   - Arranged by Jack R. Baker Arranged and TablEdited by Jack R  Baker
email: jbaker7@ix.netcom.com                                                                                  e           <@ &F8 &F8@$F8$F8  @%F8ƀ>  %F8 &CF  >  @f  f  @f  f  @f f F   
F   C  C    @F8 F8 @F8 F8 @F8 F8  C C @f  @f  @f &  &   F   C  C     @F8 F8 @	F8 	F8   >  @ 
F8  
F8  !C8 !C8 @#f  #f  @$f  $f  @%f %f  'F  (F   +C  ,C   -  @-F8 -F8 @.	F8 .	F8 @/
F8 /
F8  0C8 0C8 @2f  @3f  @4f  6F  6&  6&   :C  ;C   < @<F8 <F8 @=F8 =F8  >>  @>F8 >F8  ?C8 ?C8 @Af  Af  @Bf  Bf  @Cf Cf  DF  EF   HC  IC   K @KF8 KF8 @LF8 LF8 @MF8 MF8  NC8 NC8 @Pf  @Qf  @Rf  SF  U&  U&   WC  XC   Z @ZF8 ZF8  [>  @[F8 [F8 @\F8 \F8  ]C ]C @_f  _f  @`f  `f  @af af bF   dF   eC  fC   i`0 i i    j`0 j>   k`0  l`0  m`5  n`   o`   p`   q@   r@   s   tC  @x&F8Ҁx	  x>  xF8  y @y$F8̀y   yI8 y>  @z%F8ƀz>  zF8  {C {C {>  @}f  }f  @~f  ~f  @f f F   F   C  C  @F8 F8 @F8 	 I8 @F8    F8  C C @f  @f  @f &  &   F   C  C     @F8 F8  >  @	F8 	 	I8 @
F8    
F8  C8 C8 @f  f  @f  f  @f f  F  F   #  #  @F8 F8 @	F8 	 	I8 @
F8    
F8  C8 C8 @f  @f  @f  F  F  F   #  #    @F8 F8  >  @F8 	 I8 @F8    F8  C8 C8 @f  f  @f  f  @f f  F  F   C  C    @F8 F8 @F8 	 I8 @F8 Ž   F8  C8 C8 @f  @f  @f  F  &  &   C  C    @F8 F8  >  @F8 	 I8 @F8 Խ   F8  C C8 @f  f  @f  f  @f f F   F   C  C   `8      `8 >   `8  `8  `5  `   `   `   @   @      A   C@&F8Ҁ 
F8   @$F8	F8  >  @%F8F8  C 
C @f  f  @f  f  @f f F   F   C  C     @F8  
F8     @ F8  	F8 @F8 F8  C 
C @f  @f  @f &  &   	F   
C  C     @F8  F8  >  @	F8 F8 @
F8 F8  C8 C8 @f  f  @f  f  @f f  F  F   #  #   >  @F8  F8    @	F8 F8 @
F8 F8   C8  C8 @"f  @#f  @$f  &F  &&  &&   *#  +#   , @,F8 , ,F8  ->  @-F8 -F8 @.F8 .F8  /C8 /C8 @1f  1f  @2f  2f  @3f 3f  4F  5F   8C  9C   ;>  @;F8 ; ;F8  < @<F8 <F8 @=F8 =F8  >C8 >C8 @@f  @Af  @Bf  CF  E&  E&   GC  HC   J @JF8 J J
F8  K>  @KF8 K	F8 @LF8 LF8  MC M
C @Of  Of  @Pf  Pf  @Qf Qf RF   TF   UC  VC   Y`8 Y Y    Z`8 Z>   [`8  \`8  ]`5  ^`   _`   ``   a@   b@   c   dA   h@@h&F8Ҁh h
F8  i @iF8 i>  Ơi)I8i>   j> @jF8 j   jF8  kC @k>  ̀k
C8 k>  @l>  ƀl	 @mf  mf  @nf  nf  @of of pF   rF   sC  tC   w> @wF8 w w
F8  x @xF8 x	 x	I8 @yF8 y   yF8  zC z
C8 @|f  @}f  @~f &  &   F   C  C     @F8  F8 @	F8 	 I8 @
F8    F8  C8 C8 @f  f  @f  f  @f f  F  F   #  #  @F8  F8    @	F8 	 I8 @
F8    F8  C8 C8 @f  @f  @f  F  &  &   #  #    @F8  F8  >  @F8 	 I8 @F8    F8  C8 C8 @f  f  @f  f  @f f  F  F   C  C    @F8  F8 @F8 	 I8 @F8    F8  C8 C8 @f  @f  @f  F  &  &   C  C    @F  
F  >  @F 	 	I8 @F( Ľ   F  C 
C8 @% @f  f  @f  f  @f f F   F   C  C   `0   `0 >   `0  `0  `5  `   `   `   `   `   `  @   6 Backup Licks in the key of G: (I-IV-V-I) progressions $ Syncopated Rhythm Backup (I-IV-V-I) " Chord Inversion Backup (I-IV-V-I) - Syncopated Chord Inversion Backup (I-IV-V-I)  Gradually Build Up Tempo 
	
 C     @F 
 D <dH_ C_
		 G ,   -   .   ,   C *   +   ,   -   D         
F      G   F    @   c   i       0s  "%).  %).38                    c          0|  %).38      Acoustic Guitar     c           0w 5:?D       Acoustic Bass     
