Foggy Mountain Chimes Transcribed by Jack R. BakerTranscribed and Tabledited by Jack R. Baker (2005) Recorded Source: "Foggy Mt. Jamboree" (Columbia Records) email: j="q  I F @F II@F F III IF `I@f0f0@f0f0@f5f5FFCC IF IDF "`IF @"F "I@#f0#f0@$f0$f0@%f5%f5&F(F)C*C-I /I@/I`/Lp/L/I/I0F 1F @2f02f0@3f03f0@4f54f56F7F8C9C`<I=I>F ?F ?,?,@@F @Af0Af0@Bf0Bf0@Cf5Cf5DFFFGCHC@KF KF LILIMI MIMF `OI@Pf0Pf0@Qf0Qf0@Rf5Rf5SFUFVCWC ZIZF ZI[I [I`[I[F @^F ^I@_f0_f0@`f0`f0@af5af5bFdFeCfC`iIiI jIjIkLkL@kF kF lF @nf0nf0@of0of0@pf5pf5qFsFtCuC xIxIxFzF `zIzF @{F |I@}f0}f0@~f0~f0@f5f5FFCC@F F III IF `I@f0f0@f0f0@f5f5FFCC IF II I`IF @F I@f0f0@f0f0@f5f5FFCCI I@I`LpLIIF F @f0f0@f0f0@f5f5FFCCI`IIF &#@I@f0f0@f0f0@f5f5FFCCF))& @F@f0f0@f0f0@f5f5FFCCI IF @F ))@f0f0@f0f0@f5f5FFCC@F F I II IIF `I@f0f0@f0f0@f5f5FFCCF IF `II))@F @f0f0@f0f0@f5f5FFCC#C @f0f0@f0f0@f5f5F F C C&&,@' p @f0f0@f0f0@f5f5FFCC&,@' p  F @"f0"f0@#f0#f0@$f5$f5%F&F)C*C,&,F `-I@.I`.I.I/I!/I@1f01f0@2f02f0@3f53f54F5F8C9C>@@@f0@f0@Af0Af0@Bf5Bf5CFDFGCHCJAKF@Of0Of0@Pf0Pf0@Qf5Qf5RFSFVCWC[C\C@^f0^f0@_f0_f0@`f5`f5aFbFeCfCjFkA@mf0mf0@nf0nf0@of5of5qFrFsCtCwCxC@|f0|f0@}f0}f0@~f5~f5FFCCAF@f0f0@f0f0@f5f5FFCCCC@f0f0@f0f0@f5f5FFCCFFC@f0f0@f0f0@f5f5FFCCAF@f0f0@f0f0@f5f5FFCCAæF@f0f0@f0f0@f5f5FFCCӦCC@f0f0@f0f0@f5f5FFCCFA@f0f0@f0f0@f5f5FFCCCC@f0f0@f0f0@f5f5FFCCCIF @f0f0@f0f0@f5f5FF C CCC@f0f0@f0f0@f5f5FFCCFFC@!f0!f0@"f0"f0@#f5#f5%F&F'C(C+#.C@0f00f0@1f01f0@2f52f53F4F7C8C;&,@;' p; <=F @?f0?f0@@f0@f0@Af5Af5BFDFECFCK  K)@K KF L)L)@Nf0Nf0@Of0Of0@Pf5Pf5QFSFT@@XF XF YIYIZI ZIZF `\I@]f0]f0@^f0^f0@_f5_f5`FbFcCdC gIgF gIhDF "`hIhF @kF kI@lf0lf0@mf0mf0@nf5nf5oFqFrCsCvI xI@xI`xLpxLxIxIyF zF @{f0{f0@|f0|f0@}f5}f5FFCC`IIF F ,,@F @f0f0@f0f0@f5f5FFCC@F F III IF `I@f0f0@f0f0@f5f5FFCC IF II I`IF @F I@f0f0@f0f0@f5f5FFCC`II IILL@F F F @f0f0@f0f0@f5f5FFCC IF FF `IF @F I@f0f0@f0f0@f5f5FFCC@F F сIII IF `I@f0f0@f0f0@f5f5FFCC IF II I`IF @F I@f0f0@f0f0@f5f5FFCCI I@I`LpLIIF F @f0f0@f0f0@f5f5FFCCF `IIF &#@F @f0f0@f0f0@f5f5FFC C F))& @F@f0f0@f0f0@f5f5FFCCI IF @F ))@ f0 f0@!f0!f0@"f5"f5#F%F&C'C@*F *F *I +I,I ,I,I-F `.I@/f0/f0@0f00f0@1f51f52F4F5C6C9F 9I;F `;I;I<I<I@=F @>f0>f0@?f0?f0@@f5@f5AFCFDCECHCJF JC @K)`K)@Mf0@Nf0@Of5PCRFSFSC@TFW &X F`X IY FYF@[F \c0]c0^c0^_caCbf &g Fh FhF@jF kc0lc0mc0mncpCq@u I uI v I`v Iv fw F wF zc0{c0|c0|~CCC@FF C c0c0c0cCFC@F=Use Scruggs Tuners Here#See Notes on use of Scruggs TunersBeginning in measure 18 Earl tunes the 2nd string B down one whole tone to A and then in measure 20 he tunes the 3rd string G down to an F#. Then in measure 38 Earl tunes the 2nd string back up to B and the 3rd string back up to G. The harmonics are played using this altered D tuning which Earl cleverly does in the preceding measure before the bends occur. Have fun..........Jack Bakerci0s!$(-Banjo open Gc0 $(-27Acoustic Guitar c 049>CElectric Bass001111110000=007;<899<>7F000P042S0//2000000000001EE101110030::::H<100001000000000000008V0000000Page &p / &n&c&2&t &c&6&s &r&3&m &r&3&t - &3&s