B I N G O Beginner Fingerstyle Guitar Edited by Jack R. BakerTraditional Tabledited by Paul Doty Sept. 2001 p.doty@att.net ****** See 'NOTES' ****** N 2e4!F "F@ F F>@>>!F >@#F>F$F@>>$F> > #F @F F F >@$&>#F$F@> $F> @>>$%"F@%F%$F%F&>@&>&>&>'>@'#F'>'F($F@(>(>)$F0C11"C2>2>@3#F3>3F4$F@4>4>5>5$F<C<C=>=>@?#F?>?F@$F@@>@>A>A$FH"F@HFHCI>@I>I>@J#FJFK$F@K>K>L>L$FMM>U$CUCV>V>W>@WFWFX@X>X#FX>Y$FY>`F@`F`Ca>@a>a>c>@c#FcFd$F@d>d>d>ee$Fm"CmCn>n>o>@o#FoFpF@p>p>p>qqFy$F@yFyCz>@z>z>{>@{%F{F|&F@|>|>|>}}&FF @F F >@>#F >>@F> F@>#F>$F䀉>"C‑C>>>@#F$F@>C>!F "F@"F"F>!F >@#F#F$F@>>>$F> #F @#F !F !F >@$F뀷>#F@>$F>"F耹"F@"F$F$F>>@#F>!F$F>@>$F!C"C>>@#F#F$F>$F!C!C@#F#F$F@>>>>$F"F@"FC>>>@$F$F@>$F"F>$C$C>>@!F!F#F$F>!F@!F!C>@#F#F$F@>>$F "C "C >@ #F #F !F@ >  !F$F@$F$C>>@$F$F@>$F"F>!!F !!F @"!F "#F #>@#!F#> #!F$$#F%$F%>-"C-"C.>/>@/#F0$F@0>0$C1:::!F =E"F@E"FE"IF>F!I F G>@G#FG#FH$F@H>H>II$FQ> R#F @R#F R!F R!F S>@S$FS>S#FT@T>T$FT>U"FU\!I]"F@]"F]$F]$I^>^>@_#F_>_!F`$F@`>`a>a$Fh`i"Ii@j`j>k>@k#Fk#Fl$F@l>l>mm$Ft!D`t!It@v@w#Fw#Fx$F@x>x>y>y$F"F@"F"C>>@$F$F@>$F"F >$D`$I>@>@!F!F#F$Fꀑ>!F@!F!C>@#F#F$F@>>$F"D`"I>@@#F#F!F@>!F$F@$F$I>>&I@$Fꀳ>> %F>@>&F>"F!I !F  !I @ #F >@!F> !F#F$F>"C"C>>@#F$F@>$C!F >"F@"F"I!f !I  >@#F#F$F@>>$F> #F @#F !F !F >@$F>#F@>$F"F>>!I"F@"F$F$I!f !f !i >@#F>!F$F@>$F`>`"I @`!i  >@#F#F$F@>>  $F!D`!I!d @`!i  >@#F#F$F@>>$F"F@"F"C>#f @#f #c > @$F$F >@ > $F!"F!>(>)$D`)$I)*!d @*`*!i * +>@+!F+!F,,#F-$F->4!F@4!F4!C6!f @6!f 6!c 7>@7#F7#F8$F@8>8>99$F@>A"D`A"IAB#d @B`B#i B C> @C#FC#FD!F@D>EE!FL>LL>LM$F@M$FM$CN#f @N#f N&cO> @O$FO> O%FP>@P>P&FP>Q"FQ>Y!I Y!F  Z!I @Z Z#F [>@[!F[> [!F\\#F]$F]>d>e"Ce"Cf!c f!c g>@g#Fg#c. h$F@h>h$Ciqqr!F tu}"F@}"F}"I~>@~f~!I ~ >@#F#F$F@>>$F> #F @#F !F !F >@$F䀋>#F@>$F>"F‍!I"F@"F$F$I>@f>f@#F〗>!F$F@>>$F@`"I‡@f`>f>@#FF$F@>>>$FD`I>@`>@ff@#FF$F@>>>>$F"F@"F"C>@>@ff>@$F$F@>$F"F‽>$D@Ž`I>@Ɓf`>Ɓf>@F!F@>#F$F>F@!F!C>@ҁfҁf>@#FF$F@>>>$F@>"D@ݽ`"I>@ރfރf>@#FFF@>>>F@>$F@$F$C>>@f>f0>@$F>%F@>&C>"FI !F > I@ #F f> > @F> !F@>#F$F>"C"C>!c >@#F#c. $F@>$CF  FF@I`IIf @fI @FFF @ ` F F@ F FF %I&I @&I `&I& &F @'F'F( (F)F@) ) ) *F@*F*F*F0I1F@1F1I1I@2f2I2i@3F3F4F4 5 @5 5F6 F@6 F6 F6 F<@=`=I= > @>f>I0@?F@F@ @&8A AI8B CB CH@HIHIH@I`III@JfJf@KFKFL&L M MFN CN CTI`TIT@UI VI@VfVf@WFWFX XFYF@Y Y ZF@ZFZCa@aIaIa@b`bI bbf@cFcFd dFeFe f Cf ClI`lIl@mI nI@nfnI n @oFpFp p&q @q qF8r F@r Fr Cy@yIyIy@z`zI zzf@{F{F|&| } }F~ C~ CI`I I@I@FF FF@   F@ F F FI I I@ `I @F &&F  F@FFFI`I I@@FFC  C CNUsing Full Barre 'F' ChordAdd Some 'Swing'Fill Out The HarmonyImprovising On The MelodyLess Harmony, More 'Thump'yep, another chord!TherewasafarmerhaddogandBingohisname -oBINGO$You should know those chords by now;See the notes section under 'Score' for more explanation.)and be able to get right hand fingering!&Do you have the left hand fingerings?mThe notes on the 3rd string in parantheses are optional and played with an extension of the thumb stroke.C F@FFF FF FF@FFD7FFGC@&F&FAmF0C@3FA progressive, beginner fingerstyle arrangement. I've tried to keep it easy and within the confines of the chord shapes as much as possible. First, numbers IN THE NOTATION refer to LEFT hand fingers; index=1, middle=2, etc. The letters UNDER THE TABLATURE refer to RIGHT hand fingers; T=thumb, I=index, M=middle, A=ring The first section states the melody in the simplest terms with easy chord forms. I think it is important for a beginner to have some part of the right hand working together so the thumb and fingers are playing the same rhythm as much as possible. The next section is the same but adds the full barre' F chord (or 'thumb' type F chord. I tend to prefer barre chords when possible, but if the thumb is used, be sure not to wrap too much around the neck; you'll get frustrated! Only bring it around enough to barely cover the note on the low E string. The next section adds some anticipation or swing feel. This introduces independence between the right hand thumb and fingers. I kept it basic and should be relatively easy to learn; BUT I did sneek another chord change in on you! The next section introduces filling in harmony notes for a fuller sound; you can be your own little orchestra. Once again, tying melody and harmony notes together. The next section cuts back the harmony, but shows how to get a 'meatier' bass 'thump'....and I think we ALL want a meatier thump! Finally, a sample of improvising on the melody, some variation in the bass, complete with lyrics to the tune, and a vocal guide. If you find the vocal guide annoying, you may disable it by clicking the little speaker in the tool bar (midi options), and then un-checking the 'melody' track box on the left . You can also adjust the tempo to suit in this dialogue. Please write and let me know if you think this is helpful or how it could be better. Paul Doty p.doty@att.net c0w %).38 %).38Guitarc0 %).38melody