CRAZY Willie NelsonArranged By: Larry Kuhns lakuhns@sprintmail.com1L1"I@K"K#K$K%KF @#f0 @#5 #I0@ 0 K0 I0` %I0 K0 "K0 #K0 $K0 %K0 &F $I@ @#f0FK0F@%5`I0K0K0 &H%H (H&H@(H'H@(I0'I0&F`I0%FI0#HC $H@%H @%I0#c #F`I0FK0#K0%K0@#F@f0@ #0 F !#I0@!i!#F!#f"I0`"%I0"F##$F$$#H@%#H%&H%H &$H'%H@(I0(F(I0)#F`)I0)I0 *I@*+$F @+f0+f0@,%0,0@-%0-F--I0.#F`.I0/000#H1@1$f01f0@2%020@3%53F34#F`4I045 6#F @6f06f07 @70770 8"I@8f08f0@9@:0`:0:#F:I0;F`;%I0;I<&H<%H<#H@=H >"H?#H@@#I0@#F@I0AF`A%I0A A%I0@Bf0BBf0C#F@C0C#0@D#5D$5@EFF@F0`FI0F"FFI0G `G0G @I$f0I@J%0@K%5`KI0L#FMMFMK0M#K0M%K0@NNO#F@Of0@P#0PF Q#I0@QiQ#FQ#fRI0`R%I0RFSS$FTT#H@U#HU&HUH V$HW%H@X%I0XFXI0Y#F`YI0YI0 Z#I@Z[$F @[f0[f0@\%0\0@]%5]F]]I0^#F`^I0_``#H`Ha@a$f0af0@b%0b0@c%5cFcd#F`dI0de f#F @ff0ff0g @g0gg0 h"I@hf5hf0@i@j0`j0j#FjI0kF`k%I0kIl0@mHm$Hmm#K n"Hn%Ko#H@p#I0p#FpI0qF`q%I0q q%I0r@rr@s#f0ss$f0t#F @t0t%0@u#5u%5vF@v0 `vI0v#FvI0`w0x@y%f0y@z0@{&5|$F@|>`|I0|F|K0|K0|K0~&I ~#I@~~ @$i0i0@#0`%I0倀F00#I F@%55F @H&H⠄%H $H`I0(H %0F@%I0%5 'F&I I@`%I0倍#FI0F@I0I@>@"F‑#F$FFF"F@%F&I #I@ `"I0@"I0’%F"I%I0#F &H㠜%HH %H@HH`I0%F%I0#F@I0I0%C倢%H%H`%I0䀦#F#I0F@%I%I0#F@C@c@"c@`%I0倬#FF@%I0K0ЭK0K0@#F@f0@#0F #I0@iF#fI0`%I0䀲F$F#H@#H⠵&HH $H%H@%I0ꀸFI0#F`I0I0 #I@$F @f0f0@%00@%0䀽FI0#F`I0 #K%K@$f0@%0@%5F#F`I0K0#K0%K0 &H%H (H&H@(H'H@(I0'I0&F`I0%FI0#HF $H#IK@%H %K@%I0#F`I0"F%F$F@#HHP#K ` %I0@0`I0#F#I0F@@#i0#F @0@#5`K0$F0FP%K0K0"FK0$K0 @!$I@f0f0^@$00 $I@F0`&I0'F0F%F"H@$H'HH %H &H@&I0FI0$F`I0I0 $I@ %F @f0f0 @&00@&0F5I0$F`I0#@%f0@&0@&5FK0$F`I0K0$K0'H&H )H'H@)H(H@)I0(I0'F`I0&FI0%&$H"I %H$IK@&H&K@&I0$F`I0#F&F'p()%F I@ $F $A* $C F # $ F + "C  #IDA B>@ #I$F@$f0@$0`I0 $I0@$5K0"I0K0K0K0K0K3,>>>>>>$F @>`#I$I@f "I $I@$0$I$I@&5"F'F"F-. "@!D`!"`"^#>$"@%>%/AoQoQoQfoDmajD/0/C #mH(IB mnEmajAoQoQoQfoF#majB mnB mnEmajH0HD0AoQoQoQfoF maj7oQoQoB mnAoQoQoQfoB mnC mnminDmajmaj7oQoQo maj majAoQoQoQoG# 7 G B 6j 6E 7oQ~oQVoQ.omaj7oQoQoEmaj0B m7I0AoQoQoQfoAoQoQoQfoA# 0 A# 7fGmajC mnminC mnminD#oQoQfoQoD moQoQoQZoC mnmin0# 7oQmoC m7QoQoQoF 6oQ~oQVoQ.oA#oQoQoQboD#oQoQoQoD# 6Q~oQVoQ.oA#oQoQoQboE@LPLAYING TIPS All notes on beats 2 & 4 marked with a brush stroke are played by strumming the strings with the back of the index finger nail. Near the end of measure 26 while playing the bass line, lift the middle finger from the F# on string 1 in preparation for fingering the B on string 5 at the start of measure 27. Once the notes on beat 1 of measure 27 are picked, move immediately to a 2/3 bar at fret 4 to play the D# on string 2. The notes on fret 6 are played with the ring finger, the A on string 1 with the middle finger, and the F# on string 7 with the little finger.cw %).38 %).38