In The Jailhouse Now  (Traditional)   Arranged by Michael Cooney Transcribed and Tabledited by Allyn Dimock
Edited by Jack R. Baker (2004)
See Notes                                                  /                                 d        4F     @F  I       I  I  @F  F   
F  
F   F  @D      f  @d  I     f  @f  F   F  @F     F     @F  I       I  I  @F  F   F  F   F  @D      f  @d  I     f  @f  F   F  @F     F     @F  I       I  I  @ F   F   "F  "F   $D  @$   `$I  $   %  %I  %  @&F  'F   (F  (F   *  *I  *   +  `+I +I   ,) @,)  ,I  @-F  -F   /F  /F   0   1+ 1+  1+  @1I  `1I  1  3F  @4F   5F  5F   6	  @6F  6I  6I  6   7  @7f  8I  @9F  9F   ;F  ;F   <F  @<F   =f  @=f   >f  @>f  >	 >I  >   ?F  @?F   @  @@  AF  AF   B  @BF  BI  BI  B   C  @Cf   D  DI  @EF  EF   GF  GF   HF  @HD   If  @Id   Jf  @Jd  J   JI  J   KF  @KF   L  @L  MF  MF   NI  @N  `NI  N  NF   O   P  @QF  QF   RF  RF   TI   TI  @T  `TI  T   U  UI  U  VI @WF  WF   XF  XF   Z   ZI  @Z  ZF  ZF   \F  @\  `\I  \  \F   _   `F @`  `F  af  a   bF @b  bf  cF  @d  d   e eF   f  @fF  fI  f   g  gI  gI  @hF  hF   jF  jF   lF  @lD   mf  @md  m   mI  m   nf  @nf  nF   oF  @oF   p  qF   r  @rF  rI  r   s  sI  sI  @tF  tF   vF  vF   xF  @xD  x    yf  @yd  yI  y   zf  @zf  zF   {F  @{F   |  }F   ~  @~F  ~I  ~     I  I  @F  F   F  F   D  @   `I       I    @F  F   F  F        @D  I  @d  I! I  @D     F   F  F        @D  I    @d     i    @D  F   F  F     @F  I  I       @f  i       @F  i   C  F  F   D    F     @   `I      @F   F  F  F     @F  I     I    @F  F   F  F     I       @   `I    @	  @F  F   F  F     I     @F  I    @F  F   F  F   
  I       `I I   ) @)  I  @F  F   F  F   + +  @I  `I     	   K    @F   F  F  F     @F  I       I  I  @F  F   F  F   F  @F  F  F   f  @f  f  f   f  @f  f  f   F @F  F F        . . .  @I      I  `I  I  I  I  I    C     F     f    f   F  F  @F  F     @F  I    I  I     @F  F   F  F   D  @޽   `I       I    @F  F   F  F   
  I       `I I   ) @)  I  @F  F   F  F   + +  @I  `I     	   K  @F   F  F  F     I     	  `I         I  @  @F  F   F  F     @F  I  I       @f  f    @F  f   F  F  F       I  @    F   	 `I      @F        F   F   F     @F  I     @f  I    @F  F   F  F  I     	  @		 `	I  	   
  @F  F   F  F   . . .  @I      I  `I  I  I  I  I    C        F  f  @I1 `I0 f   F  F  / Verse  Chorus C   (    (  A bC &      & 0    CdD9   %      % cBBB A   $     $   bG $     $     AEb5      #      aAD#dim   (    a D7          Ab!F   (    ( A G7    (   CCd#CG     + (    + A bC     *  (    *  A #G7  0  *      A bC ) 0  &       '   '  A bC     %     %  C#dG %      %    dDD#dim R))nA bC R))n)  AG #5 ))R)fEG7 ))&)   AG F)))&CdCCG )F)) A bC f+>++CCCCG       8  #dG                 #bG                 A bAC 
+ ++#From "Michael Cooney" Singer of Old Songs", Front Hall FR007. Currently avaiable on cassette only, not yet reissued (as of '99) as a CD.

Transcribed and typed by Allyn Dimock.

The G run is similar to Blind Blake's version, but the rest of the accompaniment is fancier.  I have played around with two different fingerings for the G run, and am not completely happy with either, I present them both.  

It has been years since I double checked this arrangement against the record, so the arrangement could have changed slightly to fit my fingers.  But it is close enough to help you get started with learning the version on the record.  Capo 1 to play along with record.  I haven't transcribed the break: it is like the verse until m24 then it heads up the neck...  you can hear it on the tape.
    c           w   %).38 %).38                  
