L-O-V-E (Was Made For You and Me)By Milt Gabler and Bert Kaempfert Arranged and TablEdited by Paul Doty (2002) p.doty@att.netD 2FF@FC I  @FFFFF0F?F0@F?@#f#f%F %I@&F &I#&I& @'F'F(F)F+F0+F?,F0@,F?@5f5f77 7I 7 8i 8 @9F9F::F;F;=F0@=F?>F0>F?@GfGfI@J`@KFKFLFMFOF0@OF?PF0PF?@YfYf[C \c.\ \CI A\ @]F]F^F_F_aF0@aF?bF0bF?@kfkfmInF @nF nIn ni@oFoI oFpFqFsF0@sF?tF0tF?@}f}f   CI A @FFFFF0F?F0@F?@ffI A I @FFFFF0F?F0@F?@ff I @FFFFF0F?F0@F?@ffIF@FI If.I@FFFFF0F?F0@F?@ff IF @FFFF˽F0@F?F0F?@ffIF@FI ii@FFFFF0@F?F0F?@ffII@FFFFf0F?F0@F?@ffFF @FI@FFFFf0f?F0@F?@ f fFf@FIf.I@FFFFF0@F?F0F?@ff!I! "I "I@" `"I" @#F#F%F%F'F0@'F?(F0(F?@1f1f3C3F 4c.4 4I @5F5F6F677F9F09F?:F0@:F?@CfCfEF EI@FI `FIFI FIF Fi@GFGFHFIFKF0KF?LF0@LF?@UfUfWW WI W X Xi X @YFYFZF[F[]F0@]F?^F0^F?@gfgfi@j`@kFkFllFmFoF0@oF?pF0pF?@yfyf{A |a.|CF A@}F}F~FFF0@F?F0F?@ffIF @F i i@FI FFFF0@F?F0F?@ff   I  @FFFFF0F?F0@F?@ff@@FFFFF0F?F0@F?@ffAFa.@FFFFF0F?F0@F?@ffF@FI i@FFFFF0F?F0@F?@ffFf@FIIf.@FFFFF0@F?F0F?@ffF@F I `I @FFFFF0@F?F0F?@ f f A F@ F FFFF0F?F0@F?@ffIF I @F @FF  F!F#F0@#F?$F0$F?@-f-f/@0`@1F1F2F33F5F05F?6F0@6F?@?f?fAI`AIA BI@B @CFCFDFEEFGF0HF0@HF0HF0@QfQfQfR@RDSIS@Td TI@UFUFVVFWFWXc0YC0]F@])`]I]F]&@^ ^cCcfeF@eIeIeie`fI@gFgFhFiFjc0kC0oF@o)`oIoFo&@p puCuf@vDwwIw@xd xi x @yFyFzFz{{F}C0~C0F@)`IF&@ Cf@`@FFFFC0C0F@)`IF&@ CF@DI@d I@FFFFC0C0F@)`IF&@ CfF@F I `II@FFFFC0C0F@)`IF&@ Ff@DI@d i  @FFFFýc0C0F@)`IF&@ Cf@`@FFFFC0C0F@)`IF&@ C@DI@di@FFFFC0C0F@)`IF&@ CfF@IIf`I@FFFFC0C0F@)`IF&@ CF@DI@di@ F F F  F C0 C0F@)`IF&@ CfF@FIf@fI@FF&&C0F0F0#F@#)`#I#F#&@$ $)F@*D*F+@,d ,i @-F--F. .F/&0c01C05F@5)`5I5F5&@6 6;C;f<F@<I<I<`=I=I@?F?F@FAFBf0CC0DF0GF@G)`GIGFG&@H HMCMfNF@NFNINiNPf.@QFQFRFSSFUC0VC0YF@Y)`YIYFY&@Z Z_C`F@aI`aIaaIa@cFcFdFeFfk0gk0 gk0gF0@hF0hF0kF@k)`kIkFk&@l lqCqFr@rDsIs@td tI@uFuFvvFwFwxc0yC0}F@})`}I}F}&@~ ~CfF@I`iiF@i`ii @FFFFc0C0F@)`IF&@ Ff`I @II I @FF&FC0C0F@)`IF&@ CfCc I8@FFFF8C0C0F@)`IF&@ C I@FF`I@FF&FC0C0F@)`IF&@ CfF@II `II@FFFFC0C0F@)`IF&@ CFC Ic @FFFFc0C0F@)`IF&@ Cf@`@FFFFC0C0F@)`IF&@ Ff@DI@di@FFFFc0 C0 F@ )` I F &@ CfF@IIf`I@FFFFc0C0F@)`IF&@  %C%f&F@&F&I&I&'f (f.@)F)F*F+ +F,C0-C01F@1)`1I1F1&@2 27C8F8I@9I9I9I99i`:I@;F;F< =F=F>C0?C0CF@C)`CICFC&@D DICIFJJFK @MFMFNNFOFPc0QC0UF@U)`UIUFU&@V V[C[f\I\]F@]F ]I@_F_F`FaaFcC0dC0gF@g)`gIgFg&@h hmFmfnC@ofoC@pfpf@qfqfrsFsFtc0uC0yF@y&yFy&@zzF@ffIIF`II@If @fFFFc0c0F@&F&@F@ff I@III `III@@FF@fffi i@`iDIB I@`I CCCCfCf DCF@FG 7 (9)FFAb!F c:\tabledit\paD7s like a mountGc:\tabledit\licF# dimifth-lick.B7 (-9)h-lick4b.ErchingthroughgeB7gogogo0hoA (M7)@ F#-A-B.G dim@FCAnother first position masterpiece :-) Someday I gotta figure out what those other 16-17 frets are for. You have to admit I wrote a pretty good ending for it though; I like to do that so you forget the rest. LYRICS: L is for the way you look at me O is for the only one I see V is very, very extraordinary E is even more than anyone that you adore can Love is all that I can give to you Love is more than just a game for two Two in love can make it Take my heart and please don't break it Love was made for me and you L is for the way you look at me O is for the only one I see V is very, very extraordinary E is even more than anyone that you adore can Love is all that I can give to you Love is more than just a game for two Two in love can make it Take my heart and please don't break it Love was made for me and you Love was made for me and you Love was made for me and you cw %).38 %).38c 5:?D8Bass cb #!*"'/+48888Drums