Meditation Composed by Antonio Carlos Jobim Arranged by Chet Atkins & Les PaulTranscribed from the RCA LP "Guitar Monsters" &TablEdited by michaeljoyce@hotmail.com boris.bursac@g-kabel.9 4e<@FFF @@FFFFII@FFFF$D@$`% I% %F&FF$@'F'F(F)F@01`1I11I12 @3F3F5F5F5<=@=f= =I=@?F?F@FAFICIIIIJ @KFKFLFMFMTF T UI@U`UIU@WFWFXFYF```I``I`b bI!@bI @cFcFeFeFm@n@@oFoFpFqFxy y yIyz z @{F{F|F}F}F@ `IF@FFFF@I  `I  @FFFFCFI@FFFF@@F0F@FFFF I@`IF I @ `I  I @F8F8FF@@A@A@FFFF@HFFF@HFFFFF i i i i I@`IIٽ @FFFFݽ i@ i i i f i` iD@` I FFF$@FFFF@ i i iJfG` i i i@`II @FFFF i i@ i i if` i@F I@FFFFI I@ C  I   @ F F F F iii iF @`I@FFFF i@ i`  i i i i @ ` I  I @!F " "I @#F#F%F%F' i'f@(i`( i( ) i-@.@/F@/F/F0F1F4 4i5i5 i@6i`6 i6 i7 7 i 89 9 9I9: @;F;F<F=F@>i`> i> ?i ? i@iA iDD`EIEEF@GFGFIF@IIF K iK iL i@L i`L iL iL iMi@PQQI Q `RI R @SFSFUFUFX i X i@Y i`YiY iYiY ]F@]I`]I]]F^I@_F_F`FaFb ib i`c ic ic id d i@d igi@@jF0jjF@kFkkFmFmFn in in i o i`o io io i@p it@tDtFu@uD uI @vF?vF?@wF?wF?xFxyFz iz iz i { i`{ i{ i{ i@| iD`I D`I @FC@FCCF@COiLii`iii  @i @@ F? F?F Fci i i I @ F? F?F F @ D` I I@ F? F?F8 F@FIII@ ` I I ` I @ F? F8 F F I@`IFD@` I C@ F8 F@F8F8 F8 F8F@LPGLG L GD@ɽ` I I I I@ F8 I @F8F8 F8 F8 L G@ LP GΈfΊf@F8F8@F8F8FFۋf` i i i i@ i@߽`IFF@I`  I @  A i  @ i` i f f @@FFFF ii c i iI@FFFF` i d ii i@ @D@` I FFF$@F?F?@FFF F i@ i i i` i i i i@`II@F?F?@FFFF i i @ i  i` i @f II@FF F!F" i@" i # i# i`$ i$ i% i% i(I()C)*C*@+F+F,F-F.i0 i0 @1 i 2 i`3 i3 34F 4 5I@5`5I5@7F7F8F9F: i@:i ;i;i`<i< = i> i?@`@I@@I@B BI!@BI @CFCFEFEFJi K i@K `KiK M@N@@OFOFPFQF T @TVWiXY Y YIYZ @[F[F\F]F^f@^f^i_ i_fdF@d `eIeeF@gFgFiFiFk il @li`l il ili m i m io@ppqqI q `rI r @sFsI?ti0uFuFxy }i }i}i}i~i ~i@~~i~i~i iii0@i`i0@ kP k` k f fi iiii i@ii i i iiii @`i0 f f f@ fpccc ` 9 MEDITATION CE: 41:983Off to Les Paul LandA6   G#7#D7#I#C#7#0 I#F#7 # DBm ?# F8G7# $G13$$C#7,|F#7+5E7+40 8%0 0E7(9)-E11(?)48I0 D5(i50 Dm i5 i   A6(i6(iC dim7FF Bm7 I E7FFE7 FF#7FFB7I@E13FA@!F!F-Measure 15: Note that Chet changes his phrasing in this measure and lets the second beat ring until the 4th beat, then he makes that his standard stacato bass. Measure 33: The chord on the third beat is truly unusual and I really don't have a clue as to what Chet was doing unless he was getting his hand in position to slide down to the 10th fret for the D chord starting Measure 34. Measure 41: I'm not sure how much of the bass E note that Chet is playing and the bass player is playing. Since it is possible to play it on the guitar I added it. But I believe a strong argument for the bass player could be made. Measure 49: A sliding bass line can be heard again, but I believe that it is the bass player here, also, as Chet goes to a B minor chord in the same position as the previous F#7. c0r %).38 %).38Chet Atkinstarc0  %).38Les PaulGuitar001101110000=107:>899<>7F000P042S0//0000000000001EE0/1110010::::H<100000000000000000008V0000000Page &p / &n&c&2&t &c&6&s &r&3&m &r&3&t - &3&s