Mistletoe and Holly Sinatra, Stanford, & Sanicola Arranged by: Charlie ByrdTranscribed from Concord Jazz CD "The Charlie Byrd Christmas Album"; TablEdited by michaeljoyce@hotmailbdA F @ F F F  f @ f  f @ f  f  f  F0` I0 0 F0I0  @ F @ F F F f f  f @ f f f 0 F0` I0 0 F0 I0@ F @ F F F f @ f f f f @f f f 0 F0`I00F0I0@I F `I  i f `i  D i f `i  d 0F0` F0@F I F I @f i f i @f i f i @D0`I00I0 F `I   f `i  F    f ` i  f !F0!I0!I0"0$ F @$ F $ I $ F $I %i %f %i & f @& f &i &f &i '0 'F0`'I0'0@)* + @++, /@/f0/f0/f00F @0F 0F 1f @1f 1f 1F 2f @3F03F04F05F0 6D 6 7I 7I 7 I 7 I 8i @9F0:F0;C0= D `= I = D = I >@> F0> F0?@ @@@ A I0@A 0A 0A I0A 0@BA CF Df @Df Df Df GF0@Gf0Gf0Gf0HF @HF I I I D J f@LF0L f0MF0M F0O F @O F O I OD @Pf Pi Pd Q i Q i0@RI0SF0`SI0S0SI0TUI UI @UF UI UI UF Vi Wi @Wi0WI WI WF XI0Y0`YI0Y0[C [\C ^0@_0_&0_F0`F @`F `F af @af af aF bf @cF0cF0dF0eF0 fD f gI gI g I g I hI @iF0jF0k#0m D `m I m D m I n@n F0n F0op 0@pp q I0@q 0q 0q I0q 0 rD r sI ti @tF0tF0tF0wF0@wF0wF0wF0y F @y F y I y D z F|F0| f0@} I0`} I0} 0 F @ F  I D @f i d @ f i I0@I0F0`I00I0I I @F I I F i i i i f @I00`I00& F @& & F F 0@F0F0I0I0F @F I D f @f i d f @f i d `I000I0@I I i i I i i @I `I I F i i i 0D0I>F F  I @I `I  f0  f00I0 F0F @F F F F0f 0`I00f I0@ I I F @ F I I i f @ f i i f @ f i 0 F0 @` I0 0  F   f `i  i f `i  i C0I0F0i0H H @H I F I h h @h i f i h h @h i f i 0C0  @ &0@0&0&0F @F F f @f f F f @F0F0F0F0 D  I I I I i @F0F0#0 D ` I D I @ F0 F0ϽϽ @нн I0@ 0 0 I0 0 D  I i @Ԃf0ԃf0ԅf0F0@ׁf0׃f0ׅf0F @F I D F IF0@I0 f0` I0 0I0 F @ F I D @f i d @ f i d @I0I00`I00F @I F `I I I c i f i i i 0I0D0I I  I i  @ i i  0 I0@I0`I00I0 I  F I I f  i i f i i 0 F0`I00I0 F I D  f d  f d  f @I00`I00 @ I ` I I I f  I I 0I I I I @I ` I F0  I @f  I  F  I   i @  i f i @  i f i D0` I0 0 f0 @   F `I  D   f `i  d 0@f0f0I0I0@F @F I F I f @f i f i f @f i f 0 F0`I00i I0@ F `I   f `f F f `i I  `I0 f i 0F0 @ F I F  I ! @!f !i !f !i "I "i "f "i #D0@#`#I##I0& & I 0& L @& ' 'i 0'l @' `'I ' 'F ( (i 0(l @( `(i ( (f )0`)I0)0)F0)I0+, F @, F -f @-f -I -F - I .f @.f .i /0 /F0/i /f /I `0I0000i0@13 3 @3F 3F 3F 4 5 60@6F06F06F07 7I0@8F 8I 8F 9I @9f 9i 9f 9I :I @:f :i :f ;I0<D0`<I0<0@= >f `> > >? ? ?I#?I @f0@I#@I @ A0`B i6B 6B `C i6C 6CI0D DI @DF DF DF E Ei @Ef Ef Ef Ff Ff `G0G0GF0HI0I0@IIJI Jf `JI J JF Ki K `K K Kf L `Li L Lf Mi `MI0M0MF0MI0N0OP  PF `P I P P F PI Q Qf `Qi Q Qf Qi Rf `R i R R f Ri SD0`SI0S0SF0SI0V V I @V I `V I V W Wi WD X XI @XI `X I X Xd Y0Yd `Z Z ZF0ZI0\ \F \ F \ I \I ] ]f ]f ]i ]i ^f ^f ^i ^i `_I0_0_F0_I0`0@`I0bbD cF cd d df `dI d dd ef `ei e0 fF0`gI0g0gI0h hI @hI `hI hF hF i ii @ii `ii if if ji @ji `ji jf jf kI0kF0kI0lCmm mnI nF nF od `oI o pd `pi p pf `qi q qI0rD0`rI0r0rF0stI ti @tI `tI tF tI ui u @ui `ui uI uf ui vi v @vi `vi vi vf vi wxx xI0yD0z { {I {I {F | @|I `|I |i |i |f @}i `}i }i }i }f ~0 ~D0~~I0 I @I `I I F I  i @i `i i f i i @i `i i f i D0#0 I0 F  f `I   f `i  I0 F0`I00I00I0F I I I @I `I  f i i i @i `i  f i i i @i `i  `I000  @ 0@F0F0F0@F F  @f f F f @F0F0F0F0 D   I d I I i d i @I I I0D0`I00F @F I f I f i i f @f i i 0 F0`I00f0I0@ KF I f `I  I  f `i  0 F0`I00i F0i0  F ` I F I f ` i f i D0D0I0I0 F ` I F I i f `i  f i 0 F0` I0 0F0I0 I  @F I f  i 0@f i f  F0`I00I0@ D d  F `I  d f 0ƽ`I00I0Ƚ I @I `I I F i  i @i `i i f i i @i `i i f i D0C0i0   I @I `I  I  f i `i  f i 0`I00F0I0`I  F I  I @I  `i   `i  0ؽI0`I00 @F @f F F f 0 F0F0I0 I0@߽ I I H H @ H I i h h @ h I i h h @h i I0 0 D> D  d  i   d  i I0I0`I00@H H @H I F I h h @h i f i h h @h i f i 0C0  @ &0@&0&0&0F @F F f @f f F f @F0F0F0F0 D  I I I I i @F0F0C0 D ` I  D  I @ F0 F0 @ I0@ 0  0 I0 0 D  I i @ f0 f0 f0F0@f0f0f0F @F  I  D  i0@I0 i0F0` I0 0I0 F @ F  I D @f i d @ f  i  d @I0I00`I00F @I f f `L#pl I F I f f i i 0 I0!D0""I " I # #I #i $ @$$ $f $ i % &0 'I0@'I0`'I0'0'I0( () )D )I )I ) * * d * *i * i +d +i +i ,-0 -F0`-I0-0-I0. I. I . I / /D / /i /i 0d 0 0i 0 i 1d 1 1I 230`3I0303I04 4 F `4I 4I 4I `5i 5 5i 5 5i 6 6 f `6i 6i 6i 890 9F0`9I099990: :F :; `;i ;R< `< < `=i0> d?0? d@i @f@f@IAi AfAfA AiBi Bf`B BfBiCi CfCfCIDCE EEE@FaF^G@Ga@Ha@IaK@K Near BridgeSweeterA Tempo  C dim 7an F0Revised Christmas, 2005 This was a really fun project. It is vintage Charlie Byrd. When he played an improvisational piece solo, he tended to play a lot of chords so that the harmony is never lost in the improvisation. In my opinion Charlie holds my interest in this, not so much with his improvised melody, but with the rhythmic phrasing. Lots of Byrd cliches, like the Count Basie ending. Measure 10 and repeats of this measure: Note that the melody on beats 3 and 4 can be played on the 1st string. But by using the open 6th string to transition to the 7th position, Measure 11 becomes so much easier to play. Measure 12: On every repeat of this measure in the piece Charlie plays an E (Open 1st string) on the up beat of 1. This doesn't sound bad, so I left it as it is the recording. When I play this tune, I add it in here. Measure 35: On the recording Charlie muffs the C note on the 8th fret. Since you can hear him trying to play this, I put it in. Measure 37: The open G I believe is an unintentional note. It doesn't sound that bad and it is on the recording so I left it in the score. Measure 63: Charlie muffs the chord on the third beat. These is my best guess at what he is trying to do. Measure 64: If you anticipate learning a lot of Charlie's work, memorize and make this measure your own, because it is one of Charlie's signature C riffs and can be found in practically everything he plays in the key of C. Measure 95 - 96: Charlie obviously borrowed this ending from the piano playing of Count Basie. Merry Christmasc0w %).38 %).38Charlie Byrdtar