Muskrat Ramble Arranged by Chet AtkinsTranscribed and TablEdited by Michael Joyceee@F DI`I@&?&?FFF @I`I I@ &? &? F F@ F I D `I@&?&?FFF `I@F I@&?&?FF@F DI`I@&?&?FFF `I@I I@!&!&"F#F$I0 $I0@$I0`$I0$I0%i0%I0%I0%I0&i0'I>)+C ,C0,c -c .C5/@0F 0D11I`2I@3&3&?4F5F6F @6I`6I6 8I@9&9&:F;F@<F <D=`>I>@?&?&@FAFBF `BIB@CF DI@E&E&?FFGFHI`HIH IFID@K &?K &?L F@MM FNINN I O F`OIOOiP i@Q&?Q&?R FSF@ST TDTF TIUUIUIV @W&?W&XFYFZ [F`[I[[D@]&]&?^F@__F@`aD`a Ia @b F?@c&?c&?eFeF@f`f If g D@h F?h F?@i &?i &?kDkClD@l`lIlllI@o&?o&?pFqFr rF`rIrsD@u&?u&?vF@wwF@xxy D`y Iy y I@{ &?{ &?}F}F~~  Dff@ &? &?FF@FIFIF@&?&?FF F`ID@&?&?F@FF@ F @&?&?FF` I D@I@ I@ &? &?F8F8D@`I@F?F?@&?&?FF@F DF@&?&?FFI`I FD@ &? &? F@ FI I F`Ii i@&&?F@F DF IF d@&?&?FFI`I F@&?&?F@F@fd @‡f‡d@&?&?FFƅD@ȈDɽ@&?&?FF@̅f̽̅D @Έf΅D @&?&?FF҆ӆ@ԇս@&?&?FF@؆fؽ؆d @ڇfڇd@&?&?FF@޽` I D d@ &? &? F F` I   F D@ &? &? F@ FCcc@ &?&? FF@fd @fd@&?&?FFf@f@&?&?FF@f D  @f D @&?&?FFf @ D@&?&?FF@F  D@ f  @ f  F?@ &? &? F F@D`I@&?&?FFI`I  F D @&?&?F@FC I/@&&?FF ! ! D""I/@#&?#&?%F%F& & D& ' d( ((I/@)&?)&?+F+F, ,D,- -d..I/@/&?/&?1F1F23 3 D34 4 D@5&?5&?7 F7 F@9 F9 :@; &?; &?=F=F>I`>I> ?F @A&?A&?BF@CCF@DFDFFD@G&?G&?HFIFJKI`KIK LFLI/@M&?M&?NF@OOFP P DPQ Q dRRI/@S&?S&?UFUFV V DW W dWXXI/@Y&?Y&?[F[F \D\] ]d^^^I/@_&?_&?aFaF bDc cddd@e&?e&?gFgF@hF hhDj@jf @k&?k&?mFmF@noD`oIo`pi p @q&q&rFsFuI`uI u vF vD @w&w&xF@yyF|C |@}&}F~FF@F DFI`I@&?&?F8FF @I`I I@&?&?FFF @I`IF II@&?&?FFF `I@F IF?@&?&?FF@F D`I@&?&?FF@` I D d@ &? &? F F` I   F D@ &? &? F@ F CCc@ F?F?@ &?&? FF@F D`I@&?&?FFF @I`I I@&&FF@F ID`I@&&FFF `I½@F ćII @&&?FF@FD @F  @&&FF@νD`I@&&FFՃI`I  F F I @&&F@ٽFٽ@F @F?F?@&&FFf f f @f f f f f f f @f f ff f f f @f f i  i @f i i f  f f @f f f @f f f f f f @f  I I f @f f   d  d I/@&?&?FF  d  d I/@&?&?FF d d I/@&?&?!F!F" "d" #d#$ @%&?%&?'F'F(I`(I( )F)D@+ &?+ &?, F@-- F.I.. I / F`/I//i0 i@1&?1&?2 F3F@34 4D4I55I5F6 @7&?7&?8F9F:I`:I: ;F@=&?=&?>F@??F@+1@ +2 @+0@@I0`A I0A+1A +2A+0AI0B I0H+1H +2 H+0@HI0`I I0IC MFMF N fNfOf @OOf OPFQFRFRCSfScTf@TTc UFUc VCXYZ[\e See NotesCool Edit 37.55Cool Edit 1:10.8MTN)Chet recorded "Muskrat Ramble" several times, including a duet with Merle Travis. This version was found on a video of Chet's playing from 1955 to 1975. I remember seeing this on television when it aired in the '70's and it instantly was my favorite of all his versions (and anyone else's for that matter!!) Chet plays a Martin D-41(?) flattop guitar. If one looks really close at the video, one can see that someone taped up the Martin logo. At the time Chet was getting guitars from Gretch, so I have often wondered if he had a contractual problem with this guitar. Later in the same show, Chet played an entirely different version of the Wildwood Flower, that was stunning. Maybe in a new video, that will be included. The first two measures were drowned out by applause. From watching Chet's hands and comparing it to later measures, I reconstructed these measures to the best of my abilities. Other applauses during the performance caused me problems. At measure 49, I believe Chet flubbed a note. I believe that he was going to play a C# (1st string, 9th fret), as he did later in a repeat. It doesn't sound bad, though. Chet plays this "F7" chord using his thumb to note the sixth string. The MTN over the last beat of measure 92 is what I have been calling a "Merle's Transition Note" in my transcriptions of Merle Travis' recordings. Chet plays the last beat as an open D string to give him time to move to the seventh position to go to the F#7 chord there. Actually it is a legal note being part the G something chord that is measure 92. c0w %).38%).38 Chet Atkinstar001101010000=007:>899<>7F000P041S0//0000000000001EE1/1101010::::JJ100001000000000000008V0000000Page &p / &n&c&2&t &c&6&s &r&3&m &r&3&t - &3&s