Pickin' Pot Pieby J. R. Hubbard (Jerry Reed); Edited by Mike JoyceTranscribed from the RCA LP "Hometown Guitar" Edited & TablEdited by michaeljoyce@hotmail.com,i@f ff@F IF F`I@&&F^F@I(I(@I(I(@I(I(f(f(f(f(CC F ` I !@!F "I@#&#&?$F%F&@'I('I(@(I((I(@)I()I(*f(*f(+f(+f(,C-C0@0F 0I01F 2F`2I@3&3&4F5F6@7I(7I(@8I(8I(@9I(9I(:f(:f(;f(;f(<C=C@F `@I@A@AF BI@C&C&EFEFF@GI(GI(@HI(HI(@II(II(Jf(Jf(Kf(Kf(MCMFMFP@PF P)P&QF RF `RI@S&S&TFUFV@WI(WI(@XI(XI(@YI(YI(Zf(Zf([f([f(\C]C```Ia I@a I`aIa bI@c&c&?d FeFf@gI(gI(@hI(hI(@iI(iI(jf(jf(kf(kf(lCmCp q )@q)q Iq )q&`rIr I@s&s&uFuF@wI(wI(@xI(xI(@yI(yI(zf(zf({f({f(}F@}F}F}F{  ++FK&FI(I(I(f(f(FF{ C&FI(I(I(f(f(C@F IF F`I@&&(&@F@I(I(@I(I(@I(I(f(f(f(f(CCF `I@F I@&&FF@I(I(@I(I(@I(I(f(f(f(f(CC@F IF F`†I@&&FF@I(I(@I(I(@I(I(f(f(f(f(CCF `I@F ҅I@&&FF@I(I(@I(I(@I(I(f(f(f(f(CFF@F )&F F `I@&&FF@I(I(@I(I(@I(I(f(f(f(f(CCI I@ I`I I@&&? FF@I(I(@I(I(@I(I(f(f(f(f(CC  )@ &  I ))`I I@&&FF@I(I(@I(I(@ I( I( f( f( f( f( F@ F F F{  ++FK&FI(I(I(f(f(FF { C #&%F&'I((I()I(*f(+f(-C0 @1 F 1I 2I2 I2 F 3 F `3I3I56@7I(7I(@8I(8I(@9I(9I(:f(:f(;f(;f(<C=C@ A F @A F A IA A IB F B i CI`CIC IE@GI(GI(@HI(HI(@II(II(Jf(Jf(Kf(Kf(LFMCMFQ Q )@Q&QIQIQFR R I@R FRiRiRf S S )@S & SISISF T T T UV@WI(WI(@XI(XI(@YI(YI(Zf(Zf([f([f(\C]C`{ ` ` aGaLaFbgblbf cGcLcF egF(gF(hF(hF(iF(iF(jf(jF(kf(kF(lFmFp{ p qC rc sc tCwF(xF(xyF(zF({F(~C @F I I F F F `II@I(I(@I(I(@I(I(f(f(f(f(CC F @F II F i I`I I@I(I(@I(I(@I(I(f(f(f(f(FFC  Р )@&GLF I@Fglf )@& GLF @I(I(@I(I(@I(I(f(f(f(f(CC {  EF #F Df "f EF CF F(F(F(F(F(F(F(F(F(F(FF { F f f F0&F(F(F(F(F(F @F IF F`҈I@&&(F@F@I(I(@I(I(@I(I(f(f(f(f(CCF `I@F I@&&FF@I(I(@I(I(@I(I(f(f(f(f(CC@F IF F`I@&&FF@I(I(@I(I(@I(I(f(f(f(f(CCI `I@I I@&&FF@I(I(@I(I(@ I( I( f( f( f( f( C F F@F )&F F `I@&&FF@I(I(@I(I(@I(I(f(f(f(f(CC  I! I@! I`!I! "I@#&#&$ F%F&@'I('I(@(I((I(@)I()I(*f(*f(+f(+f(,C-C0 1 )@1 & 1 I1 )1)`2I2 I@3&3&5F5F@7I(7I(@8I(8I(@9I(9I(:f(:f(;f(;f(=F@=F=F=F@{ A +A+AFABBKC&EFGI(HI(II(Jf(Kf(MFMFP{ PFPQ&RFS&UFVWI(XI(YI(Zf([f(]C`(I `)@`&`I`)`&a() a)@a&aIa)a&b Fc& c @ccdgF(hF(@hhiF(jf(kf(lF@nnp{ p+p+p+pIq+q+q+qIq { fff FfF^&I(I(I(f(C@F IF (F@`I'F@@&&(&@F@I(I(@I(I(@I(I(f(f(f(f(C0C0@``@CCC02@ ^*(+,E9 I* A/O 1DD9(d@d=E@/1Q1;T0_D[a?P>A@P D7F#@B@Eb7(D#7)Ab(G#)C#7This tune is my favorite of all of Jerry Reed (Hubbard) compositions, because it just makes me feel good to hear it. Lots of Chet cliches and an interesting bridge chord progression make this a really comfortable tune to listen to. The original recording can be found on Chet's RCA recording Hometown Guitar. It featured Chet, a rhythm guitarist, a steel guitarist, a bass player, percussion, and doo-wah's from the Anita Kerr singers. To my ears, if you take all of that stuff away, it becomes a much more charming solo and perfect for a back porch pickin' session. I tried to transcribe Chet as true as possible except for: Measure 21: I changed the C#7 chord to a C# melody note instead of an E# that Chet played. In the second bridge, the steel player takes the lead and Chet plays a "Chicken Pickin'" figure behind the steel. Since I didn't transcribe the steel part, I didn't transcribe that lick. If one is really interested check out Marcel Dadi's video Nashville Pickin' Vol 1 where he teaches that lick. The rhythm part and bass part aren't exact transcriptions, but rather in the style of those parts from the recording.c0w %).38%).38=Chetric Bassr c0 %).38%).38=Electric Guitar c 05:?DBassric Guitar001001110000=007:>899<>7F000P043S0/00000000000001EE1/1111010::::H<100001000000000000008V0000000Page &p / &n&c&2&t &c&6&s &r&3&m &r&3&t - &3&s