Sunrise, SunsetFrom Fiddler On The Roof; By Jerry BockTranscribed from Columbia LP Charlie Byrd, Delicately; TablEdited by michaeljoyce@hotmail.comN x dC FF A@ F  F A FF A@F FA% % F&F' A(@.f. .F/F0A@1 1~2J6 7 9 A:p?@?F ?F ?F @a @Aa PA^BCBAC}HI HF Hi HI IF Ia%KAKLQA Qa RfSf@SSfSfTTAZA [f\f@\\f\f]A@cF cF cF da @ea fAlI lF li lI mF ma%oAu{@uD uI vc vc yD>`yI0y~{F @F F0@F0@F F F a @a AI F i I F a%AA0000A>A00@00A>A F AAafAAa a@`I0 I0 I0I> I0 I0}`ƉI0 I0@ F0ljI0 I0@F0\ @F F F a @a A>I F i I F a%A0A 0⁆0f0テ0f0A>A 끆0f0@0샆0f0A>@F F F a @a A>I F i I F a%A0{@D I c c D>` I0 {F @F F0@F0@F  F F a @a A I F I I! F!i!f#A)F*C*+0+7,A>2A30@3033040@4A5 ;A;0@<f0< <0= f0>>A?DDD0@E0E E0F0`F0F0G GAMi0N N i0@O `Oi0OcPFQQXVVI0WI0@WI0`WI0W I0WI0W I0W I0XI0 X I0@X I0X I0`ZZK [ _ @_F _F _`f @`f `f.af @a bA@c ci@hF hF hif @if if.jf @kkkA@l m_@qF qF qrf @rf rf.sf tAuz@zF zF z{f @{f {f.|f }A~}@F F f @f f.f A@F F f @f f.f @A@0f0 A0 f0 C@ 6` I6 I @I I I I I I I @I ` I I I 6 F@ Ff A A@ A> I I@F Faa@A0A0@000@A>AÆ0@Æ0Å0ą0@A>F @F F a a @A>I I @F F a a%A0F @f f @ )1)0F)1 )0 )1 )0 )1 )0 )1 )0 @F F f @f f.f A@F F f @f f.f A@F F f @f f.f A@ F F  f @ f f. f A@F F f @f f.f  A@F F f @f f.f A @%0%0% A&&0'0( C@) 6`) I6). .I @.I .I .I . I .I / I / I @/I `/ I / I / I 1 62}7 F @7 F 7 F 7 A8 A@9 :A;@ I @I @@F @ F @a Aa%CA0CDIA J @J JJ K LLARA S @S SS T UA>U[F @[F [F [a@]a^A>^_dI dI @dF dF dc @ef ec%ff @fgC0gF>ghZipmF @mmf nf @op)1p)0pF>q)1 q)0qXqvv x )1 x )0x )1x )0y )1 y )0{X FF A@FFA FF A@FFA FF A@FFFC@4 A^ A A AIntroRefrain Played very freely with feelingEmM0pNB7 f FEmfFAmf  E7 Am F#7 f B F B7+5-900F#70P F#7B7EmD7EmB7EmD7 Am D7'@GMaj7G6F#mB7(+5)D#dim7 EmEm6F#m7-5Sunrise, Sunset from Fiddler on the Roof was recorded by Charlie Byrd in one of his very best Columbia LP's entitled "Delicately" where he plays solo and with a flute and bass. The album is a classic and deserves to be made into a CD. An arranging technique Charlie Byrd used throughout his career was to take a piano score and play it as closely as possible on the guitar. Sunrise, Sunset was created that way. This piece should appeal to anyone that has problems playing in strict tempo, like 95% of all classical guitarists. Charlie, who was noted as having excellent timing, plays this piece very Rubato with an accordian type of rhythm. Measure 9 and subsequent measures: The brush shown is actually an arpeggiation but notating it as such interferes with with the next note. Using the brush effect gives a sound closer to the recording. Measure 46: To me this is the most fascinating measure in the entire piece. Charlie lets those harmonics continue to ring and plays the staccato chord. Simple sound, but a genius of a way to achieve it. Have fun with this piece. I've played it for well over thirty years and whenever I've played it for folks, I've gotten lots of compliments from it. Charlie did a great job.cw %).38Charlie ByrdrdGc %).38Acoustic GuitarG