Arranged by Chet Atkins Edits by Jack BakerFrom the LP "Hi-Fi In Focus" Tabledited by Russ Jenkins russ_jenkins@lineone.net2Wea @0f @0  0`000c0c0c  @000 0` 0  f0 c0 c0 a @ 0 f @0 0`000c0i0ic j @0l 0`0oc0icf@ff(f @ffff@ff f!f@!f!f# f$ a `%0%@&0& & ' ' 0@' 0' %() c0) c*` `+0, @,0, 0, 0 -0-./c0/c00 f0 f@10102@2020@335c5c6`@7070@8080@99:c:c<<f<f=0@>0>0@??f@c@cAB`@C0C0@D0D0@EEGcGcHHfHfI0@J0J0@KKLcLcMNf@NfN8O0@O0OiOi0P0@P0PPQ (Q0@Q0Q0RSc0ScT` @U0U0V @V0V0W W0`W0Xc0XcZZiZ[@[f0[ [j[\ @\0\\l\] ]0`]0]]^c0^f _c`aaaf@bbbdf@efefefgcgh@h0h0@iifkckclammf@nnnpf@qfqfqf rir rr si@sfs ss @t tt @u uf#wcwcyiyi@zi`zizizi{(i {i@{f{f{fi i@i`iii i if@ff f f` 0 0 f @ 0 0 0@ 0 f c0 cf`i00 @ i0` 0 f0 0 0@0fc0c0@ f f f80@0 00@0  0(0@0ccc c 0`0@0 @0c0c0ff@0 0`0@i0fc0cc c 0`00 @00@0c0c0ff@0 0`0@i0fc0cf@ff @ff@ff@i0`3i0i0c0c` 0000 0@0`0000 0@0`0000f0@f0pf0 i@0i @0j 0`0oc0offi  i@ff@ffff @ ` f8@fffc i i  f@fff  @f @  f8@fffff @f ff@ffff@ff fff@f f f@ f f ff f@f ff`g0 @ g0 f0 0@00%c0c@ f f f 0`000 0`0 00@f0f0c0c0@fff 0`000 0`000@f0 f0c0c0@ 0`000  0`0 00@f0f0c0c0@fff 0`000 0`000 @f0 f0c0c0ff@ 0   0` 0 @ i0 f f0 ff@f@ff@U@ffccc  0@0`0 000 0@0`0K000 0@0`0000c00@Z@@%%%`@  !`!!""$`&'^*A min/CBb maj/5-D 9/5+C 9/5+E 9/5+B4;0D 13c0D 13 C 13SThis piece was transcribed from the RCA LP "Hi-Fi In Focus", LPM-1577, dated 1961. Use of Bigsby: Chet slides into the note from just below in bar 6, beat 1 and bar 39, beat 3. In the last bar the final harmonic is given a half semitone bend down and back up, finishing with a gentle shimmer (or it could be flutter on my turntable). Bar 7: I think the left hand fingering is to use the thumb on the 6th string and a half barre on the top 4 strings. This allows the 6th to keep sounding while changing position for the last chord. Bar 10: the A in the bass could be played with the LH thumb on the 6th string instead of using the open string. Bar 12: to keep the top A ringing through the bar means using the LH thumb for the G on the 6th string and anchoring the 4th finger on the 1st string. Some of us still find this impossible. c0w %).38 %).38